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Gordon says that audiation occurs when an individual is "listening to, recalling, performing, interpreting, creating, improvising, reading, or writing music". [10] While listening to music, audiation is analogous to the simultaneous translation of languages, giving meaning to sound and music based on individual knowledge and experience.
Takadimi is a system devised by Richard Hoffman, William Pelto, and John W. White in 1996 in order to teach rhythm skills. Takadimi, while utilizing rhythmic symbols borrowed from classical South Indian carnatic music, differentiates itself from this method by focusing the syllables on meter and western tonal rhythm.
Rhythmic concepts are introduced in a child-developmentally appropriate manner based upon the rhythmic patterns of their folk music (for example, 6 8 is more common in English than 2 4, so it should be introduced first). The first rhythmic values taught are quarter notes (crotchets) and eighth notes (quavers), which are familiar to children as ...
The basic (and vague) definition of a march describes a piece of music based upon a regular, repeated drum or rhythmic pattern—which means a march is most recognizable by its phrasing. Almost all quickstep marches consist of four-measure, or four-bar , phrases typically ending with a whole note (that either creates or resolves melodic tension ...
Isorhythm (from the Greek for "the same rhythm") is a musical technique using a repeating rhythmic pattern, called a talea, in at least one voice part throughout a composition. Taleae are typically applied to one or more melodic patterns of pitches or colores, which may be of the same or a different length from the talea.
The bell pattern (also known as a key pattern, [17] [18] guide pattern, [19] phrasing referent, [20] timeline, [21] or asymmetrical timeline [22]) is repeated throughout the entire piece, and is the principal unit of musical time and rhythmic structure by which all other elements are arranged. [23] [24] The period is often a single bar (four ...
Pérotin, "Alleluia nativitas", in the third rhythmic mode. In medieval music, the rhythmic modes were set patterns of long and short durations (or rhythms).The value of each note is not determined by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a ligature, and by ...
Just as a keystone holds an arch in place, the clave pattern holds the rhythm together. The clave patterns originated in sub-Saharan African music traditions, where they serve the same function as they do in salsa. [4] The two most common five-stroke African bell parts, which are also the two main clave patterns used in Afro-Cuban music, are ...