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Religion, Feminism, and Freedom of Conscience, edited by George D. Smith (1994) Skin: Talking About Sex, Class & Literature, Dorothy Allison (1994) "Suffragette City: The Chicago Women's Liberation Rock Band", Ben Kim (1994) [533] The Creation of Feminist Consciousness: From the Middle Ages to 1870, Gerda Lerner (1994)
20th century – Anti-prostitution feminist; Sweden's national rapporteur on human trafficking opposition activities: 1940–2025: Warcry: United States: 20th century – Radical feminist: 1940–2025: Kaia Wilson: United States: 20th century – Third-wave feminist: 1940–2025: Alice Wolfson: United States: 20th century – 1940–2025: Sande ...
The Creation of Feminist Consciousness: From the Middle Ages to 1870, Gerda Lerner (1994) "The Unremembered: Searching for Women at the Holocaust Memorial Museum", Andrea Dworkin (1994) [417] "Why Women Need Freedom From Religion", Annie Laurie Gaylor (1994) From Suffrage to Women's Liberation: Feminism in Twentieth Century America, Joreen ...
In reaction to this perceived lack of inclusion of women in the mainstream, some feminists decided it necessary for women to create a separate space for women to create music. Lesbian and feminist separatism was then used as a "tactic which focused women's energy and would give an enormous boost to the growth and development of women's music." [11]
Women play an important role in world music, a musical category encompassing many different styles of music from around the world, including ethnic music and traditional music from Africa, the Caribbean, South America, Asia, and other regions, indigenous music, neotraditional music, and music where more than one cultural tradition intermingle ...
While in college in the late '80s, Hanna signed up for a writers' workshop led by her hero, the postmodern novelist Kathy Acker. “You should start a band.” In her feminist punk music, Kathleen ...
One of her best known works is Feminine Endings (1991). "Feminine ending" is a musical term once commonly used to denote a weak phrase ending or cadence.The work covers musical constructions of gender and sexuality, gendered aspects of traditional music theory, gendered sexuality in musical narrative, music as a gendered discourse, and discursive strategies of women musicians.
Few artists have a neat origin story, but Kathleen Hanna, the feminist punk pioneer and celebrated frontwoman whose rallying cry of “girls to the front” inspired generations, may have a pretty convincing one. While in college in the late '80s, Hanna signed up for a writers' workshop led by her hero, the postmodern novelist Kathy Acker.