Ad
related to: albrecht durer gallery los angelesfineartamerica.com has been visited by 10K+ users in the past month
Search results
Results from the WOW.Com Content Network
Location, Gallery, Collection (Inv. nr.) CR nr. Portrait of Dürer's Father diptych, right wing back side: Combined Coat of Arms of the Dürer and Holper Families: 1490 dm l w c [1] Oil on panel: 47.5 × 39.5 47 × 39: Florence, Uffizi (1086 (1890 post), 00286561) 2–3 Portrait of Barbara Dürer diptych, left wing back side:
Dürer catalog: a manual about Albrecht Dürer's engravings, etchings, woodcuts, their conditions, editions and watermarks, 26 Hollstein's German engravings, etchings and woodcuts, ca. 1400-1700. Vol. 7: Albrecht and Hans Dürer , 26
Dürer was born on 21 May 1471, the third child and second son of Albrecht Dürer the Elder and Barbara Holper, who married in 1467. [5] [6] Albrecht Dürer the Elder (originally Albrecht Ajtósi) was a successful goldsmith who by 1455 had moved to Nuremberg from Ajtós, near Gyula in Hungary. [7]
The Meisterstiche ("master prints") by Dürer are three of his most famous engravings. They are Knight, Death and the Devil (1513), Melencolia I (1514) and St. Jerome in His Study (1514).
The Four Apostles is a panel painting by the German Renaissance master Albrecht Dürer. It was finished in 1526, and is the last of his large works. It depicts the four apostles larger-than-life-size. The Bavarian Elector Maximilian I obtained The Four Apostles in the year 1627 due to pressure on the Nuremberg city fathers.
Pourtalès sold four different pieces by Dürer to Maison Carlhian, a Parisian antiques and art gallery; he likely sold The Virgin and Child With a Flower on a Grassy Bench to Maison Carlhian as well. The acquisition by Maison Carlhian has been reported as occurring in either 1912 [2] or 1919. [3]
Joachim and Anne Meeting at the Golden Gate is a 1504 woodcut by the German artist Albrecht Dürer that depicts the standard scene of Joachim and Anne Meeting at the Golden Gate. In the woodcut, the parents of the Virgin Mary , Joachim , and Anne meet at the Golden Gate of Jerusalem , upon learning that she will bear a child.
Melencolia I, Albrecht Dürer, engraving, 1514. The art historian Christa Grössinger described the drawing as the "most affecting of all" of Dürer's portraits. [9] David Price wrote of its "rough depiction of her flesh emaciated by old age", and "existential piety in the cast of Barbara Dürer's right eye, which, almost unnaturally, directs her vision heavenward."
Ad
related to: albrecht durer gallery los angelesfineartamerica.com has been visited by 10K+ users in the past month