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Various halvings and doublings of 44.1 kHz are used – the lower rates 11.025 kHz and 22.05 kHz are found in WAV files, and are suitable for low-bandwidth applications, while the higher rates of 88.2 kHz and 176.4 kHz are used in mastering and in DVD-Audio – the higher rates are useful both for the usual reason of providing additional ...
The audio bit rate for a Red Book audio CD is 1,411,200 bits per second (1,411 kbit/s) or 176,400 bytes per second; 2 channels × 44,100 samples per second per channel × 16 bits per sample. Audio data coming in from a CD is contained in sectors, each sector being 2,352 bytes, and with 75 sectors containing 1 second of audio.
Using this technique, the audio data is stored as a sequence of fixed amplitude (i.e. 1-bit) values at a sample rate of 2.884 MHz, which is 64 times the 44.1 kHz sample rate used by CD. At any point in time, the amplitude of the original analog signal is represented by the density of 1's or 0's in the data stream.
Sampling rate used by the Mitsubishi X-80 digital audio recorder. 64,000 Hz Uncommonly used, but supported by some hardware [18] [19] and software. [20] [21] 88,200 Hz Sampling rate used by some professional recording equipment when the destination is CD (multiples of 44,100 Hz).
High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD audio.
1 ADPCM channel, 12-bit audio, [78] 32.088 kHz sampling rate [79] 1 streaming CD-DA channel, 16-bit CD audio, 44.1 kHz sampling rate; Optional Dolby Surround support; Stereo audio with: 6 programmable WS channels/voices; Square, sine, sawtooth, triangle and other waveforms; White noise generation on 2 channels; LFO [72] or FM on 2 channels
CD audio, for example, has a sampling rate of 44.1 kHz (44,100 samples per second), and has 16-bit resolution for each stereo channel. Analog signals that have not already been bandlimited must be passed through an anti-aliasing filter before conversion, to prevent the aliasing distortion that is caused by audio signals with frequencies higher ...
For music-quality audio, 44.1 and 48 kHz sampling rates are the most common. Master recording may be done at a higher sampling rate (i.e. 88.2, 96, 176.4 or 192 kHz). High-resolution PCM recordings have been released on DVD-Audio (also known as DVD-A), DualDisc (utilizing the DVD-Audio layer), or High Fidelity Pure Audio on Blu-ray.