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Mien shiang (Chinese: 面 相; pinyin: miànxiàng meaning face (mien) reading (shiang)) is a physiognomic and fortune-telling practice in Chinese culture and traditional Chinese medicine which purports to determine aspects of person's character, personality, and (future) health by analyzing their face according to the five phases ("wu xing").
Physiognomy (from Greek φύσις (physis) 'nature' and γνώμων (gnomon) 'judge, interpreter') or face reading is the practice of assessing a person's character or personality from their outer appearance—especially the face.
Female Chinese beauty standards have become a well-known feature of Chinese culture. A 2018 survey conducted by the Great British Academy of Aesthetic Medicine concluded that Chinese beauty culture prioritizes an oval face shape, pointed, narrow chin, plump lips, well defined Cupid's bows , and obtuse jaw angle. [ 1 ]
Face reading (面相) – This is the interpretation of facial features of the nose, eyes, mouth and other criteria within one's face and the conversion of those criteria into predictions for the future. This usually covers one phase of the client's life, and reveals the type of luck associated with a certain age range.
It should only contain pages that are Facial features or lists of Facial features, as well as subcategories containing those things (themselves set categories).
Example of a Mooney face, inverted (left) and right-side-up. The Mooney Face Test, developed by Craig M. Mooney, was first introduced in his 1957 article “Age in the development of closure ability in children.” [1] Participants in the test are shown series of black and white distorted photographs, presented in such a way that would require them to perform closure. [2]
The fusiform face area (FFA, meaning spindle-shaped face area) is a part of the human visual system (while also activated in people blind from birth) [1] that is specialized for facial recognition. [2] It is located in the inferior temporal cortex (IT), in the fusiform gyrus (Brodmann area 37).
Anna May Wong, considered by many to be the first Chinese American movie star, [6] was acting by the age of 14 and in 1922, at age 17, she became the first Chinese-American to break Hollywood's miscegenation rule playing opposite a white romantic lead in The Toll of the Sea. Even though she was internationally known by 1924, her film roles were ...