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This article about a Ghanaian film is a stub. You can help Wikipedia by expanding it.
The monuments list is taken from the Ghana Museums and Monuments Board, according to their description "legal custodian of Ghana's material cultural heritage (movable and immovable heritage)" [1] GMMB classifies the monuments: The ID used on this page in reference to the Regions of Ghana are based on the ISO Regional ID standards.
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One of West Africa’s foremost documentarians of the 20th century, J.K. Bruce-Vanderpuije created a prolific record of life in pre- and post-independence Ghana.
History recognizes the Akan for their sophisticated gold-working traditions, technical proficiency in casting metal and perfection of the lost wax casting process. [2] Akan culture considers gold a sacred material, so the artwork and jewelry made of gold reflects a great deal of value, whether it be made for political display, artistic ...
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The origins of beadmaking in Ghana are unknown, but the great majority of powder glass beads produced today is made by Ashanti and Krobo craftsmen and women. Krobo bead making has been documented to date from as early as the 1920s but despite limited archaeological evidence, it is believed that Ghanaian powder glass bead making dates further back.
Fort Apollonia Museum of Nzema Culture and History: Beyin: 2010 [2] Geology Museum (University of Ghana) Legon: Geological Survey Department Museum: Accra: 1913 [3] Ghana Herbarium, Department of Botany, University of Ghana: Legon 1948 [4] Gramophone Records Museum and Research Centre of Ghana: Cape Coast: 1994 [3]