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Leftism is the debut studio album by English electronic music duo Leftfield, ... it seems unlikely that anyone would be talking about Leftfield nowadays." [22] ...
Leftfield are a British electronic music group formed in 1989, a duo of Neil Barnes and Paul Daley (the latter formerly of The Rivals and A Man Called Adam). The duo was influential in the evolution of electronic music in the 1990s, with Mixmag describing them as "the single most influential production team working in British dance music". [ 1 ]
Leftfield, Leftism: Sometime after the last track is a BIG Booming sound said to be able to cause any amplifier or speaker to shake; Leftöver Crack, Mediocre Generica: "Gay Rude Boys Unite," an instrumental at track 13
"Afro-Left" is a song by the English electronic duo Leftfield, released as their seventh single. The song was released on 12", CD and cassette on 24 July 1995 by Hard Hands/ Chrysalis . It featured Neil Cole (as Djum Djum) on vocals, and it was rumoured that the lyrics were in an unspecified African language; it was later revealed that they ...
"Original" is a song by English electronic duo Leftfield, released on 12" and CD on 13 March 1995 by Hard Hands/PolyGram as the third single from their debut album, Leftism (1995). It features singer Toni Halliday on vocals and gave the group their first appearance on Top of the Pops, reaching number 18 on the UK Singles Chart.
In February 2023, Leftfield announced an album of dub remixes of the tracks from This Is What We Do entitled This Is What We Do. Version Excursion. [21] The album was released on pink vinyl only in conjunction with Record Store Day on 22 April 2023. [22] It was later released digitally on 9 June 2023.
"Open Up" is a song by British electronic duo Leftfield featuring John Lydon (of Sex Pistols and Public Image Ltd.). It was released as a single on 1 November 1993 by Hard Hands label.
The amount of times I've seen that written, rolled my eyes and thought just search hard enough. Here I am playing Leftfield's 'Song Of Life', though, and I'm close to typing that out myself. It builds up, uP, UP with haunting vocals and floaty pads, before a wobbly synth bassline teases it's way in, accompanied by monstrous kicks and pacy hi-hats.
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