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And nature is both the primary matter (and this in two senses: either primary in relation to the thing, or primary in general; e.g., in bronze articles the primary matter in relation to those articles is bronze, but in general it is perhaps water—that is if all things which can be melted are water) and the form or essence, i.e. the end of the ...
A common classical idea of beautiful art involves the word mimesis, the imitation of nature. Also in the realm of ideas about beauty in nature is that the perfect is implied through perfect mathematical forms and more generally by patterns in nature. As David Rothenburg writes, "The beautiful is the root of science and the goal of art, the ...
Illustration of Emerson's transparent eyeball metaphor in "Nature" by Christopher Pearse Cranch, ca. 1836-1838. Emerson uses spirituality as a major theme in the essay. Emerson believed in re-imagining the divine as something large and visible, which he referred to as nature; such an idea is known as transcendentalism, in which one perceives a new God and a new body, and becomes one with his ...
A celestial map from the 17th century, by the Dutch cartographer Frederik de Wit. Natural philosophy or philosophy of nature (from Latin philosophia naturalis) is the philosophical study of physics, that is, nature and the physical universe while ignoring any supernatural influence.
Naturphilosophie is therefore one possible theory of the unity of nature. Nature as the sum of what is objective, and intelligence as the complex of all the activities making up self-consciousness, appear as equally real. The philosophy of nature and transcendental idealism would be the two complementary portions making up philosophy as a whole.
Nature offers some of the world's purest and simplest joys. While the city has its charms, nothing compares to the beauty of a tall tree, the sweet smell of flowers, or the feeling of a fresh ...
A nomological notion of human nature – "Human nature is the set of properties that humans tend to possess as a result of the evolution of their species." [ 95 ] Machery clarifies that, to count as being "a result of evolution", a property must have an ultimate explanation in Ernst Mayr 's sense.
Romantic artists during the 19th century used the epic of nature as an expression of the sublime. In aesthetics, the sublime (from the Latin sublīmis) is the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual, or artistic. The term especially refers to a greatness beyond all possibility of ...