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The group began to develop a revivalist and nostalgic style, inspired by 18th century literature and painting, and to follow a way of life similar to that of the old aristocracy, with its salons and sophisticated habits, attracting the attention of other writers and poets. Soon their number would become considerable, giving rise to a romantic ...
The examples Price gave for these three aesthetic tendencies were Handel's music as the sublime, a pastorale by Arcangelo Corelli as the beautiful, and a painting of a Dutch landscape as the picturesque. During the mid 18th century the idea of purely scenic pleasure touring began to take hold among the English leisured class.
The middle of the 18th century saw a turn to Neoclassicism in France, that is to say a conscious use of Greek and Roman forms and iconography. In painting, the greatest representative of this style is Jacques-Louis David who, mirroring the profiles of Greek vases, emphasized the use of the profile; his subject matter often involved classical ...
Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature.
One last difference between Baroque and Rococo is the interest that 18th century aristocrats had for East Asia. Chinoiserie was a style in fine art, architecture and design, popular during the 18th century, that was heavily inspired by Chinese art, but also by Rococo at the same time. Because traveling to China or other Far Eastern countries ...
18th-century painting stubs (314 P) Pages in category "18th-century paintings" The following 39 pages are in this category, out of 39 total.
British painting had been strongly influenced by Joshua Reynolds (1723–1792), the first president of the Royal Academy of Arts, who believed that the purpose of art was "to conceive and represent their subjects in a poetical manner, not confined to mere matter of fact", and that artists should aspire to emulate the Italian Renaissance painter Raphael in making their subjects appear as close ...
Louis le Nain was an important exponent of genre painting in 17th-century France, painting groups of peasants at home, where the 18th century would bring a heightened interest in the depiction of everyday life, whether through the romanticized paintings of Watteau and Fragonard, or the careful realism of Chardin.