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The song is now performed by choirs around the world, especially during the Christmas season as a Christmas carol. [5] Another motivation of the song may have been to Christianize old English winter season songs used in wassailing the apple orchards — pouring out libations or engaging in similar ceremonies to seek fertility of the trees. [6]
"Children, Go Where I Send Thee" (alternatively "Children, Go Where I Send You" or variations thereof, also known as "The Holy Baby", "Little Bitty Baby", or "Born in Bethlehem") is a traditional African-American spiritual song. [1]
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
Tindley was a noted songwriter and composer of gospel hymns and is recognized as one of the founding fathers of American gospel music. Five of his hymns appear in the 1989 United Methodist Hymnal. His composition "I'll Overcome Someday" [1] is credited by observers to be the basis for the U.S. Civil Rights anthem "We Shall Overcome."
Here's a fun fact about the "12 Days of Christmas" tune we bet you didn't know. Since 1984, PNC Bank has been tracking the price of giving each gift mentioned in the song with the PNC Christmas ...
"O come, O come, Emmanuel" (Latin: "Veni, veni, Emmanuel") is a Christian hymn for Advent, which is also often published in books of Christmas carols. [1] [2] [3] The text was originally written in Latin. It is a metrical paraphrase of the O Antiphons, a series of plainchant antiphons attached to the Magnificat at Vespers over the final days ...
The oratorio's structure follows the liturgical year; Part I corresponding with Advent, Christmas and the life of Jesus, Part II with Lent, Easter, Ascension and Pentecost, Part III with the end of the church year, dealing with the end of time, the Resurrection of the dead and Christ's glorification in heaven.
Matt Conner, indicating in a four star review by CCM Magazine, says, "The good news is that Adore is an inspired album from beginning to end." [8] Awarding the album three and a half stars from New Release Today, Jonathan J. Francesco states, "it's refreshing to hear some Christmas music that keeps the focus on the Birthday Boy and maintains artistic integrity doing it."