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The Man of Sorrows is a tempera and oil on panel painting of Jesus Christ by the Florentine artist Sandro Botticelli (1445–1510), thought to have been painted sometime between 1500 and 1510. [ 1 ] The work depicts Jesus in a crown of thorns with his hands and wrists bound by rope.
The main light source is not evident in the painting but comes from the upper left; the lesser light source is the lantern held by the man at the right (believed to be a self-portrait of Caravaggio; also, presumably, representing St Peter, who would first betray Jesus by denying him, and then go on to bring the light of Christ to the world). At ...
The painting in its current frame, hanging in the National Gallery. The Latin form of Pilate's words, "Behold the man", has given the title Ecce Homo to this picture. It is the moment when Jesus comes forth from the rude mockery of the soldiers, clad in a royal robe, and wearing the crown of thorns.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Christ Crucified (Spanish: Cristo crucificado) is a 1780 oil-on-canvas painting of the crucifixion of Jesus by Spanish Romantic painter Francisco de Goya. He presented it to the Real Academia de Bellas Artes de San Fernando as his reception piece as an academic painter. It now forms part of the collection of the Prado Museum, in Madrid.
Christ Crucified is a 1632 painting by Diego Velázquez depicting the Crucifixion of Jesus. The work, painted in oil on canvas , measures 249 × 170 cm and is owned by the Museo del Prado . Description
Like Jesus Christ, you too can now "walk on water" thanks to the Brooklyn-based brand MSCHF, which created a Nike sneaker filled with holy water. Dubbed the "Jesus shoe," these limited-edition ...
The composition is a novel one, with the body of Jesus typically held horizontally in paintings of the Entombment, although earlier examples with Jesus held vertically that may have influenced Michelangelo include a 1438-1440 predella to the San Marco Altarpiece by Fra Angelico, and Domenico Ghirlandaio. The upright posture of Jesus may allude ...