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However, in the eighteenth and nineteenth century types and lettering in the Didone or modern serif style tended to a style with sharp contrast in stroke width and capital letters of near equal width, the opposite of the Roman capital model where capitals had widely varying width.
Roman square capitals, also called capitalis monumentalis, inscriptional capitals, elegant capitals and capitalis quadrata, are an ancient Roman form of writing, and the basis for modern capital letters. Square capitals are characterized by sharp, straight lines, supple curves, thick and thin strokes, angled stressing and incised serifs.
Lombardic capitals is the name given to a type of decorative uppercase letter used in inscriptions and, typically, at the start of a section of text in medieval manuscripts. [1] They are characterized by their rounded forms with thick, curved stems. Paul Shaw describes the style as a "relative" of uncial writing. [2]
HTML and XML provide ways to reference Unicode characters when the characters themselves either cannot or should not be used. A numeric character reference refers to a character by its Universal Character Set/Unicode code point, and a character entity reference refers to a character by a predefined name.
This is an accepted version of this page This is the latest accepted revision, reviewed on 1 December 2024. See also: List of Cyrillic multigraphs Main articles: Cyrillic script, Cyrillic alphabets, and Early Cyrillic alphabet This article contains special characters. Without proper rendering support, you may see question marks, boxes, or other symbols. This is a list of letters of the ...
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The spacing diacritic should be used for a baseline letter with a superscript release, such as [tˢʼ] or [kˣʼ], where the scope of the apostrophe includes the non-superscript letter, but the combining apostrophe U+315 might be used to indicate a weakly articulated ejective consonant like [ᵗ̕] or [ᵏ̕], where the whole consonant is ...
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