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William Stephen “Steve” Smith (born December 18, 1950) is an American voice teacher, author and baritone singer. He is a professor of Voice and Opera at the Bienen School of Music of Northwestern University, [1] voice faculty for the Ryan Opera Center of Lyric Opera of Chicago, [2] voice faculty emeritus of the Aspen Music Festival and School [3] and founder/director of the Naked Voice ...
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
An example can be seen in the table of contents of McGuffey's New Sixth Eclectic Reader of 1857: Principles of Elocution I. Articulation II. Inflections III. Accent and Emphasis IV. Instructions for Reading Verse V. The Voice VI. Gesture New Sixth Reader. Exercises in Articulation Exercise I. — The Grotto of Antiparos Exercise II. — The ...
Giulio Caccini is an example of an important early Italian voice teacher. [2] In the late 17th century, the bel canto method of singing began to develop in Italy. This style of singing had a huge impact on the development of opera and the development of vocal pedagogy during the Classical and Romantic periods.
The lyrical subject, lyrical speaker or lyrical I is the voice or person in charge of narrating the words of a poem or other lyrical work. [1] The lyrical subject is a conventional literary figure, historically associated with the author, although it is not necessarily the author who speaks for themselves in the subject.
Voice projection is the strength of speaking or singing whereby the human voice is used powerfully and clearly. It is a technique employed to command respect and attention, such as when a teacher talks to a class, or simply to be heard clearly, as used by an actor in a theatre or during drill .
In literature, polyphony (Russian: полифония) is a feature of narrative, which includes a diversity of simultaneous points of view and voices. Caryl Emerson describes it as "a decentered authorial stance that grants validity to all voices". [1] The concept was introduced by Mikhail Bakhtin, using a metaphor based on the musical term ...
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]