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' Brazilian National Anthem ') [1] [6] National bird: Sabiá-laranjeira (Turdus rufiventris), the rufous-bellied thrush [7] National tree: Pau-brasil (Paubrasilia echinata), the brazilwood [8] National floral emblem: There is no official decree designating a National Flower of Brazil
Modernism in Brazil started with the Modern Art Week held in São Paulo in 1922 and was characterized by experimentation and interest in Brazilian society and culture, as well as rebellion against influence from Europe and the United States and the orthodoxy of the Brazilian Academy of Letters. [13]
Orders, decorations, and medals of Brazil (7 C, 27 P) Pages in category "National symbols of Brazil" The following 13 pages are in this category, out of 13 total.
Download as PDF; Printable version; ... National symbols of Brazil (5 C, 13 P) ... Pages in category "Culture of Brazil"
Brazilian mythology is a rich and diverse part of Brazilian folklore with cultural elements, comprising folk tales, traditions, characters, and beliefs. The category is representative of Brazil’s greater culture, being a melting pot of Iberic traditions brought by the Portuguese settlers, African traditions brought by Africans during the ...
What Brazilian art then became was a mix of some important achievements of the Moderns, meaning freedom from the strict academic agenda, with more conventional traits, giving birth in the following generation to a moderate Modernism, best exemplified by painter Cândido Portinari, who was something like the official painter of the Brazilian ...
Although Brazil has pioneered LGBTQ+ rights in Latin America — transphobia was made a crime in 2019 — the country still has the largest number of trans and queer people murdered in the world. In 2023, Brazil was responsible for 31% of all 321 murders of trans and gender diverse people reported murdered worldwide, according to Transgender ...
Santo Daime, sometimes called simply the 'Doctrine of Mestre Irineu', [2] is the name given to the religious practice originally begun in the 1920s [3] in the far western Brazilian state (then territory) of Acre by Raimundo Irineu Serra, a migrant from Maranhão in Brazil's northeast region, and grandson of slaves.