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The Brunswick is one of several informal jacket-and-petticoat costumes popular in the later 18th century, derived from working class costume but made up in fine fabrics (usually silk). [ 2 ] Originating in France (based on a German fashion), the Brunswick was also popular in England and the United States as a traveling costume.
In the early 18th century, men's shoes continued to have a squared toe, but the heels were not as high. From 1720 to 1730, the heels became even smaller, and the shoes became more comfortable, no longer containing a block toe. The shoes from the first half of the century often contained an oblong buckle usually embedded with stones. [17]
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press,2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
A banyan is a garment worn by European men and women in the late 17th and 18th century, influenced by the Japanese kimono brought to Europe by the Dutch East India Company in the mid-17th century. [1] "Banyan" is also commonly used in present-day Indian English and other countries in the Indian subcontinent to mean "vest" or "undershirt".
Pages in category "18th-century fashion" The following 96 pages are in this category, out of 96 total. ... Magua (clothing) Malahai; Manchu platform shoes; Mantua ...
The slop trade was flourishing by the 18th century, as slop-sellers realized that they could sell to the general public as well as to the army and navy, and also received a boost from the Napoleonic Wars. [6] [7] [8] Slop work became organized into a system of large clothing warehouses subcontracting out to small workshops or individuals.
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A close-bodied gown, English nightgown, or robe à l'anglaise was a women's fashion of the 18th century. Like the earlier mantua , from which it evolved, [ 1 ] the back of the gown featured pleats from the shoulder, stitched down to mould the gown closely to the body until the fullness was released into the skirt.