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history of photography, method of recording the image of an object through the action of light, or related radiation, on a light-sensitive material. The word, derived from the Greek photos (“light”) and graphein (“to draw”), was first used in the 1830s.
History of photography - Early Evolution, Daguerreotype, Film: Daguerre’s process rapidly spread throughout the world. Before the end of 1839, travelers were buying daguerreotypes of famous monuments in Egypt, Israel, Greece, and Spain; engravings of these works were made and then published in two volumes as Excursions daguerriennes between ...
History of photography - Digital Revolution, Artistic Expression, Documentary Evidence: With the improvement in colour materials and processes, photographers became more interested in its creative possibilities.
History of photography - Developments, Art, Science: At the turn of the 20th century, one of the most influential Pictorialist groups was the Photo-Secession, founded in New York City in 1902 by photographer Alfred Stieglitz.
History of photography - Artistic Expression, Camera Technology, Darkroom Techniques: Photographic societies—made up of both professionals and amateurs enticed by the popularity of the collodion process—began to form in the mid-19th century, giving rise to the consideration of photography as an aesthetic medium.
In 1935 Leopold Godowsky, Jr., and Leopold Mannes, two American musicians working with the Kodak Research Laboratories, initiated the modern era of colour photography with their invention of Kodachrome film.
Many artists using photography as their medium developed creative approaches that took advantage of the seamless mutability of digitally altered images, extending a long history of photographic collage, double printing, and other pre-digital forms of manipulation.
Photography’s remarkable ability to record a seemingly inexhaustible amount of detail was marveled at again and again. Still, from its beginnings, photography was compared—often unfavourably—with painting and drawing, largely because no other standards of picture making existed.
Photography’s transmutation of nature’s colours into various shades of black and white had been considered a drawback of the process from its inception. To remedy this, many portrait photographers employed artists who hand-tinted daguerreotypes and calotypes.
Photography was revolutionized in 1851 by the introduction of the wet collodion process for making glass negatives. This new technique, invented by the English sculptor Frederick Scott Archer, was 20 times faster than all previous methods and was, moreover, free from patent restrictions. Paper prints could easily be made from glass-plate negatives.