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In 1963, a boycott of Christmas lights was done in Greenville, North Carolina, to protest the segregation that kept blacks from being employed by downtown businesses in Greenville, during the Christmas sales season. Known as the Black Christmas boycott or "Christmas Sacrifice", it was an effective way to protest the cultural and fiscal ...
The Flower Girl is a mid 19th-century painting by Irish-American artist Charles Cromwell Ingham. Done in oil on canvas, the painting depicts a young woman holding a bouquet of flowers. The painting is currently in the collection of the Metropolitan Museum of Art.
The Victorian flower girl most resembles the modern one. Victorian-era flower girls were traditionally dressed in white, perhaps with a sash of colored satin or silk. Her dress, usually made of muslin, was intentionally simple to allow future use. The Victorian flower girl carried an ornate basket of fresh blooms or sometimes a floral hoop, its ...
The women's shoes of the early Victorian period were narrow and heelless, in black or white satin. By 1850s and 1860s, they were slightly broader with a low heel and made of leather or cloth. Ankle-length laced or buttoned boots were also popular. From the 1870s to the twentieth century, heels grew higher and toes more pointed.
These styles were then adopted by the painters' wives and models for everyday dress. Dresses were loosely fitted and comparatively plain, often with long puffed sleeves; they were made from fabric in muted colors derived from natural dyes, and could be ornamented with embroidery in the art needlework style.
The dress, like Hepburn's later little black dress in the 1961 film Breakfast at Tiffany's, is cited as one of the classic dresses of the 20th century. A poll by Debenhams, published in the Daily Telegraph, voted it the second most iconic red carpet dress of all time. [6] Time magazine voted the dress the greatest Oscar dress of all time. [7]
The Flower Girl (c. 1665-1670) by Bartolomé Esteban Murillo The Immaculate Conception of El Escorial, a section of which can be seen under the top layer of The Flower Girl. The Flower Girl (Italian - Fanciulla con fiori, Ragazza con fiori or La Fioraia'; Spanish - Muchacha con flores) is a c. 1665-1670 oil on canvas painting by the Spanish ...
Royal mourning dictated black and shades of mauve, which meant that all the clothes utilising colour for the planned June visit had to be re-made; Hartnell's workrooms worked long hours to create a new wardrobe in white, which Hartnell remembered had a precedent in British royal mourning protocol, and was not unknown for a younger queen.
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