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At the time of death, our material resources are not of use to us. Our loved ones cannot keep us from death. Our own body cannot help us at the time of our death. Other Tibetan Buddhist practices deal directly with the moment of death, preparing the meditator for entering and navigating the Bardo, the intermediate stage between life and death.
The Tibetan Book of Living and Dying, written by Sogyal Rinpoche in 1992, is a presentation of the teachings of Tibetan Buddhism based on the Tibetan Book of the Dead or Bardo Thodol. The author wrote, "I have written The Tibetan Book of Living and Dying as the quintessence of the heart-advice of all my masters, to be a new Tibetan Book of the ...
In the Vajrayana tradition [1] of Tibetan Buddhism, tukdam (Standard Tibetan: ཐུགས་དམ, Wylie: thugs dam) is a meditative state said to occur after clinical death in which the body reportedly shows minimal signs of decomposition, retaining a lifelike appearance for days or even weeks.
The Bardo Thodol (Tibetan: བར་དོ་ཐོས་གྲོལ, Wylie: bar do thos grol, 'Liberation through hearing during the intermediate state'), commonly known in the West as The Tibetan Book of the Dead, is a terma text from a larger corpus of teachings, the Profound Dharma of Self-Liberation through the Intention of the Peaceful and Wrathful Ones, [1] [note 1] revealed by Karma ...
[2] [3] Later Buddhism expanded the bardo concept to six or more states of consciousness covering every stage of life and death. [4] In Tibetan Buddhism, bardo is the central theme of the Bardo Thodol (literally Liberation Through Hearing During the Intermediate State), the Tibetan Book of the Dead, a text intended to both guide the recently ...
Of central importance to Tibetan Buddhist Ars moriendi is the idea of the bardo (Sanskrit: antarābhava), the intermediate or liminal state between life and death. [163] Rituals and the readings of texts such as the Bardo Thodol are done to ensure that the dying person can navigate this intermediate state skillfully.
The status of life as a human, at first is seen as very important. In the hierarchy of Buddhist cosmology it is low but not entirely at the bottom. It is not intrinsically marked by extremes of happiness or suffering, but all the states of consciousness in the universe, from hellish suffering to divine joy to serene tranquility can be experienced within the human world.
The death of a noble lady and the decay of her body is a series of kusōzu paintings in watercolor, produced in Japan around the 18th century. The subject of the paintings is thought to be Ono no Komachi. [18] There are nine paintings, including a pre-death portrait, and a final painting of a memorial structure: [18] [19]