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Boy scared by a man: 1824 to 1825 Museum of Fine Arts, Boston: 5.9 x 6 Half-naked young woman leaning on a rock: 1824 to 1825 Museum of Fine Arts, Boston: 8.8 x 8.6 Man looking for fleas in his shirt: 1824 to 1825 Museum of Fine Arts, Boston: 6 x 5.9 Two children looking at a book [Wikidata] 1824 to 1825 Rhode Island School of Design Museum ...
The Bewitched Man (also known as The Devil's Lamp) is a painting completed c. 1798 by Francisco José de Goya y Lucientes. [1] It is an oil painting on canvas and depicts a scene from a play by Antonio de Zamora called The man bewitched by force (Spanish: El hechizado por fuerza). The painting shows the protagonist, Don Claudio, who believes he ...
The painting contains a sense of peace and an air of reconciliation absent in the other works from the series. [7] Writer Juan José Junquera wrote that the work may represent a personification of Melancholy, or given the relationship between artist and model, "the symbol of the fire of love and of the home and the presentiment of coming death ...
Don Juan and the Commendatore [1] (Spanish: Don Juan y la estatua del Comendador or El burlador de Sevilla) is a painting by the Spanish artist Francisco Goya.It belongs to a series of six cabinet paintings, each approximately 43 × 30 cm, with witchcraft as the central theme.
The Incantation [1] (Spanish: El conjuro) is a painting by the Spanish artist Francisco Goya. It belongs to a series of six cabinet paintings, each approximately 43 × 30 cm, with witchcraft as the central theme. The paintings do not form a single narrative and have no shared meaning, so each one is interpreted individually.
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The Victorious Hannibal Seeing Italy from the Alps for the First Time, [1] or Hannibal the victor crossing the Alps, [2] or Hannibal the victorious from the heights of the Alps looks out over the plains of Italy [3] (Spanish: Aníbal vencedor que por primera vez mira Italia desde los Alpes) is an oil painting by Spanish painter Francisco Goya, dating from his early years.
A seven-alarm fire that tore through a 150-year-old church in Massachusetts miraculously spared a painting of Jesus Christ.