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Salt glazed pottery was also popular in North America from the early 17th century until the early 19th century, [13] indeed it was the dominant domestic pottery there during the 19th century. [14] Whilst its manufacture in America increased from the earliest dated production, the 1720s in Yorktown , significant amounts were imported from ...
Westerwald pottery, or Westerwald stoneware, is a distinctive type of salt glazed grey pottery from the Höhr-Grenzhausen and Ransbach-Baumbach area of Westerwaldkreis in Rheinland-Pfalz, Germany. Typically, Westerwald pottery is decorated with cobalt blue painted designs, although some later examples are white.
A Bartmann jug (from German Bartmann, "bearded man"), also called a Bellarmine jug, is a type of decorated salt-glazed stoneware that was manufactured in Europe throughout the 16th and 17th centuries, especially in the Cologne region, in what is today western Germany. The characteristic decorative detail is a bearded face mask appearing on the ...
Langley Mill pottery was closed in December 1982 with a special commemorative plate being produced to mark the last firing of the kiln and the sad end of 117 years of stoneware production. The site was eventually sold and the remaining buildings demolished in 1987. In 1997, the site was redeveloped and is now a small retail park.
While salt-glazing is the typical glaze technique seen on American Stoneware, other glaze methods were employed. Vessels were often dipped in Albany Slip, a mixture made from a clay peculiar to the Upper Hudson Region of New York, and fired, producing a dark brown glaze. Albany Slip was also sometimes used as a glaze to coat the inside surface ...
Pfaltzgraff Folk Art stoneware (1977 to 1983) modeled on early American salt glazed pottery; the stenciled pattern "Yorktowne" is Pfalzgraff's most popular. Pfaltzgraff America chargers designed by David Walsh in collaboration with Museum of American Folk Art, 1983 to 1985
In addition to Maloney's famed salt glaze pottery, Williamsburg Pottery grew to include other artisans that sold a variety of handicrafts, like baskets and lamps. As sales grew, the small structure mushroomed into many warehouse buildings. By the 1960s, Williamsburg Pottery was the largest U.S. importer of home goods from Asia. Originally ...
However, later the mark changed to an unrelated device with "Rockingham Works Mexborough" (or "Mexboro") as the subtitle, except on works produced for the Fitzwilliam household which retained the griffin mark. [10] Use of these marks together with the brown glaze and gilding on non-Rockingham shapes makes Baguley pieces easy to identify.