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This may have contributed to the songs on the album being heavier than previous material by the band. Smith described the record as "Cure heavy", as opposed to "new-metal heavy". [2] Robinson said The Cure's usual process was to first create the music and Smith would later bring the lyrics. He said he encouraged Smith to write the lyrics first ...
4:13 Dream is the thirteenth studio album by English rock band the Cure, released on 27 October 2008 by Suretone and Geffen Records.The album was preceded by four singles, all of which were released on 13th of each month, starting in May with "The Only One" and ending in August with "The Perfect Boy".The band also released a remix EP in September, also on the 13th, titled Hypnagogic States ...
Les Inrockuptibles wrote that the album featured "endless songs" with "dated sounds". [21] AllMusic noted that although Bloodflowers contained all the Cure's musical trademarks, "morose lyrics, keening vocals, long running times", "the album falls short of the mark, largely because it sounds too self-conscious". [9]
The Cure isn’t “heavy” in a conventional sense, but Robinson captures a noisy, discordant sound that doesn’t suit every song on the album, but works best on “Lost” and “Us Or Them.”
If I told you 40 years ago, when the Cure was in the midst of its new-wave wonder moment, that the band would craft an inventively elegiac epic like “Songs for a Lost World” — a singular ...
Wild Mood Swings is the tenth studio album by English rock band the Cure, released on 6 May 1996 by Fiction Records. [3] The album charted at number nine on the UK Albums Chart, staying on chart for six weeks, and charted at number 12 in the US Billboard 200.
The Oxford English Dictionary defines hallelujah as “a song or shout of praise to God,” but biblical scholars will tell you it’s actually a smash-up of two Hebrew words: “hallel” meaning ...
The Top is the fifth studio album by English rock band the Cure, released on 4 May 1984 by Fiction Records. The album entered the UK Albums Chart at number ten on 12 May. [2] Shortly after its release, the Cure embarked on a major tour of the United Kingdom, culminating in a three-night residency at the Hammersmith Odeon in London.
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