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The Artist. In this prose poem, an artist is filled with the desire to create an image of "The Pleasure that abideth for a Moment". Able to fashion this image out of bronze only, he searches the world for the metal but all he can find is the bronze of one of his earlier pieces, "The Sorrow that endureth for Ever".
Oscar Fingal O'Fflahertie Wills Wilde [a] (16 October 1854 – 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular and influential playwrights in London in the early 1890s. [3]
The title-page of the first edition of The Sphinx, with decorations by Charles Ricketts. The Sphinx is a 174-line poem by Oscar Wilde, written from the point of view of a young man who questions the Sphinx in lurid detail on the history of her sexual adventures, before finally renouncing her attractions and turning to his crucifix.
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The Ballad of Reading Gaol is a poem by Oscar Wilde, written in exile in Berneval-le-Grand and Naples, after his release from Reading Gaol (/ r ɛ. d ɪ ŋ. dʒ eɪ l /) on 19 May 1897. Wilde had been incarcerated in Reading after being convicted of gross indecency with other men in 1895 and sentenced to two years' hard labour in prison.
Gray is best known today as an aesthetic poet of the 1890s and as a friend of Ernest Dowson, Aubrey Beardsley and Oscar Wilde.He was also a talented translator, bringing works by the French Symbolists Stéphane Mallarmé, Paul Verlaine, Jules Laforgue and Arthur Rimbaud into English, often for the first time.
A House of Pomegranates is a collection of fairy tales written by Oscar Wilde, published in 1891. It is Wilde's second fairy tale collection, following The Happy Prince and Other Tales (1888). He said of the book that it was "intended neither for the British child nor the British public".
Even Oscar Browning, a personal friend whom Wilde had asked to review the book, complained in The Academy that "the story, as far as there is one, is most repulsive", and that "Mr Wilde has no magic to veil the hideousness of a sensuality which feeds on statues and dead bodies", while conceding that the poem had "music, beauty, imagination and ...