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Scholars and Virginia historians have come to understand that in early colonial and Federal years, Virginia had a more vibrant furniture industry than first realized. [4] Styles included Chippendale, Queen Anne and vernacular styles. As Virginia citizens emigrated west, Virginia stylists and furniture makers took their patterns and styles with ...
The design movement had an extremely positive impact on the craftsmanship and quality of British furniture. [7] The William and Mary style was a transitional style between Mannerist and Queen Anne furniture. [4] The William and Mary style was very popular in Britain from 1700 to 1725, [1] and in America until about 1735. [3]
A. H. Davenport and Company was a late 19th-century, early 20th-century American furniture manufacturer, cabinetmaker, and interior decoration firm. Based in Cambridge, Massachusetts, it sold luxury items at its showrooms in Boston and New York City, and produced furniture and interiors for many notable buildings, including The White House.
In sophisticated urban environments, walnut was a frequent choice for furniture in the Queen Anne style, [5] superseding the previously dominant oak and leading to the era being called "the age of walnut." [6] However, poplar, cherry, and maple were also used in Queen Anne style furniture. [11]
Federal furniture refers to American furniture produced in the federal style period, which lasted from approximately 1789 to 1823 and is itself named after the Federalist Era in American politics (ca. 1788-1800). [1] Notable furniture makers who worked in the federal style included John and Thomas Seymour, Duncan Phyfe and Charles-Honoré Lannuier.
Biggs Furniture, based in Richmond, Virginia, United States, was once a leading U.S. manufacturer of colonial reproduction furniture. [ 1 ] [ 2 ] The company flourished in the 20th century, alongside reproductions by Colonial Williamsburg by the Kittinger Company , and other mass market reproduction brands like Ethan Allen and Pennsylvania House.
American colonial printing as determined by contemporary cultural forces, 1639-1763. New York: B. Franklin. ISBN 978-0-8337-02616. Bradburn, Douglas (July 2008). "A Clamor in the Public Mind: Opposition to the Alien and Sedition Acts". The William and Mary Quarterly. 65 (3). Omohundro Institute of Early American History and Culture: 565– 600.
The beams are spaced 4 feet (1.2 m) to 18 feet (5.5 m) apart and the planks are 2 inches (5.1 cm) or more thick possibly with another layer of 1 inch (2.5 cm) on the top as the finished flooring could span these distances. The planks may be laid flat and tongue and grooved or splined together or laid on edge called a laminated floor. [24]
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