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Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
Septuple meter (British: metre) or (chiefly British) septuple time is a meter with each bar (American: measure) divided into 7 notes of equal duration, usually 7 4 or 7 8 (or in compound meter, 21
[7] [4] In the special case of time signatures in which the upper numeral is not divisible by two or three without a fraction, the result may alternatively be called irregular, imperfect, or uneven meter, and the groupings into twos and threes are sometimes called long beats and short beats. [8] Additive rhythm in 3+3+2 8 time Additive rhythm 3+3+2
The song has a dissonant atmosphere and is also notable for its changing time signatures. For much of the song, there is a cycle of one measure of 7/4, then two of 4/4. [ 3 ] Guitarist Kim Thayil has said that Soundgarden usually did not consider the time signature of a song until after the band had written it, and said that the use of odd ...
Distinctive elements of the song include its unusual 7 4 time signature, and the tape loop of money-related sound effects (such as a ringing cash register and a jingle of coins). These effects are timed right on the beats, and act as a count-in at the beginning to set the tempo and are heard periodically throughout the song.
Usually, such time signatures are mutually prime, e.g., 4 4 and 3 8, and so have no common divisors. Thus the change of the basic metre decisively alters the numerical content of the beat, but the minimal denominator (1 8 when 4 4 changes to 3 8; 1 16 when, e.g., 5 8 changes to 7 16, etc.) remains constant in duration. [5]
4 time, an unorthodox meter which the band would also later use in "Spoonman". [6] Guitarist Kim Thayil has said that Soundgarden usually did not consider the time signature of a song until after the band had written it, and said that the use of odd meters was "a total accident."
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16. [1]