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Unlike other forms of Japanese architecture (such as those of the sukiya (数寄屋) style), it is the structure rather than the plan that is of primary importance to the minka. [3] Minka are divided up with primary posts that form the basic framework and bear the structural load of the building; secondary posts are arranged to suit the ...
The entry is on the second level of the house. Other elevations feature tall curtain walls. A pool addition is to one side. The interior is an open floor plan and simple design, reflecting Yamasaki's philosophy that the interior of a house should recede into the background, allowing the furniture, artwork, and people to become the focal points. [2]
A butsuden's floor plan. What follows the floor plan of a typical Zen main butsuden such as the one in the photo above at Enkaku-ji in Kamakura.The core of the building (moya) is 3 x 3 ken and is surrounded on four sides by a 1-ken wide hisashi, bringing the external dimensions of the edifice to a total of 5 x 5 ken. [2]
Free plan, in the architecture world, refers to the ability to have a floor plan with non-load bearing walls and floors by creating a structural system that holds the weight of the building by ways of an interior skeleton of load bearing columns. The building system carries only its columns, or skeleton, and each corresponding ceiling.
A butsuden's floor plan. The drawing shows the floor plan of a typical Zen main butsuden such as the one in the photo above at Enkaku-ji in Kamakura.The core of the building (moya) is 3 x 3 ken wide and is surrounded on four sides by a 1-ken wide hisashi, bringing the external dimensions of the edifice to a total of 5 x 5 ken. [3]
The Japanese government also invited foreign architects to both work in Japan and teach new Japanese architects. One of these, the British architect Josiah Conder [ ja ] went on to train many of the most prominent of the Japanese Meiji era architects, including Kingo Tatsuno , Tatsuzō Sone and Tokuma Katayama .
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A kitchen of one tatami in area on the left, a floor covered with four tatami and a second door with tiny engawa stoop on the right. Munewari nagaya (back-to-backs) had only a kitchen door. Plan of an Edo nagaya neighbourhood; houses range from 4.5 to 16 tatami in area (visible in full-scale view) Old depiction of a nagaya. Nagaya (長屋, lit.