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"Up and Down This World Goes Round", three voice round by Matthew Locke. [1] Play ⓘ. A round (also called a perpetual canon [canon perpetuus], round about or infinite canon) is a musical composition, a limited type of canon, in which multiple voices sing exactly the same melody, but with each voice beginning at different times so that different parts of the melody coincide in the different ...
A roundel (not to be confused with the rondel) is a form of verse used in English language poetry devised by Algernon Charles Swinburne (1837–1909). It is the Anglo-Norman form corresponding to the French rondeau. It makes use of refrains, repeated according to a certain stylized pattern.
A rondeau (French:; plural: rondeaux) is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries.
The most familiar of the canons is the perpetual/infinite canon (in Latin: canon perpetuus) or round. As each voice of the canon arrives at its end it can begin again, in a perpetuum mobile fashion; e.g., "Three Blind Mice". Such a canon is also called a round or, in medieval Latin terminology, a rota.
"Sumer is icumen in" is the incipit of a medieval English round or rota of the mid-13th century; it is also known variously as the Summer Canon and the Cuckoo Song. The line translates approximately to "Summer has come" or "Summer has arrived". [2] The song is written in the Wessex dialect of Middle English.
The formes fixes (French: [fɔʁm fiks]; singular: forme fixe, "fixed form") are the three 14th- and 15th-century French poetic forms: the ballade, rondeau, and virelai.Each was also a musical form, generally a chanson, and all consisted of a complex pattern of repetition of verses and a refrain with musical content in two main sections.
Scholars have observed that the rondel is a relatively fluid construction, not always adhering to strict formal definitions. J.M. Cocking wrote that "the reader who comes across a poem bearing the title rondel by Banville, Rollinat, Dobson or Bridges and is curious enough to look for a definition of this form is likely to be more confused than enlightened."
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...