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La Movida Madrileña's central component was an aesthetic influenced by punk rock and synth-pop music, as well as visual schools such as dada and futurism. [1] The aesthetic permeated into the city's street fashion, photography, cartoons, and murals, [1] manifesting itself in bright colours, voluminous hair, unconventional and revealing clothing, and heavy makeup use among both genders.
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Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29.
The influences of the style come from a blend of glam rock, punk rock, gothic horror literature, and undead characters of classic horror films. The aesthetic was born from the early Los Angeles punk rock scene, and gained influences from fashion worn by patrons of the Batcave club in the UK as the two regional scenes had met.
A film, also known as a movie or motion picture, [a] is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. [1]
Aesthetics of nature developed as a sub-field of philosophical ethics. In the 18th and 19th century, the aesthetics of nature advanced the concepts of disinterestedness, the pictures, and the introduction of the idea of positive aesthetics. [1] The first major developments of nature occurred in the 18th century.
Aesthetic Realism is a philosophy founded in 1941 by the American poet and critic Eli Siegel (1902–1978). [1] He defined it as a three-part study: "[T]hese three divisions can be described as: One, Liking the world; Two, The opposites; Three, The meaning of contempt."
The other daughters enter, followed by Bernarda's elderly mother, Maria Josefa, who is usually locked away in her room. Maria Josefa announces that she wants to get married; she also warns Bernarda that she'll turn her daughters' hearts to dust if they cannot be free. Bernarda forces her back into her room.
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