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Paolo and Francesca da Rimini by Dante Gabriel Rossetti (1862). Francesca da Rimini [a] or Francesca da Polenta [a] (died between 1283 and 1286) [1] was an Italian noblewoman of Ravenna, who was murdered by her husband, Giovanni Malatesta, upon his discovery of her affair with his brother, Paolo Malatesta.
Scheffer first exhibited a painting of Paolo and Francesca at the Paris Salon of 1822. Although well received, it was overshadowed by The Barque of Dante, the first major painting by Eugène Delacroix, which was exhibited in the same room. The current location of Scheffer's first painting of this subject is not known.
From 1275 onwards he played an active part in the Romagnole Wars and factions. He is chiefly famous for the domestic tragedy of 1285, recorded in Dante's Inferno: upon finding his wife, Francesca da Polenta (Francesca da Rimini), in adulterous embrace with his own brother (Paolo Malatesta), he killed them both with his own hands.
The painting is a triptych inspired by Canto V of Dante's Inferno, which describes the adulterous love between Paolo Malatesta and his sister-in-law Francesca da Rimini. The left- and right-hand panels both show the lovers together; the central panel shows Dante and the Roman poet Virgil , who guides Dante through hell in the poem.
Paolo Malatesta (Italian pronunciation: [ˈpaːolo malaˈtɛsta]; c. 1246 – 1285), also known as il Bello ('the Beautiful'), was the third son of Malatesta da Verucchio, Lord of Rimini. He is best known for the story of his affair with Francesca da Polenta , portrayed by Dante in a famous episode of his Inferno (Canto V).
The Gates of Hell, sculpture by Rodin, where the concept for the sculpture originated.. The sculpture, The Kiss, was originally titled Francesca da Rimini, as it depicts the 13th-century Italian noblewoman immortalised in Dante's Inferno (Circle 2, Canto 5) who falls in love with her husband Giovanni Malatesta's younger brother Paolo.
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Paolo and Francesca is an oil painting on canvas by the French artist Jean-Auguste-Dominique Ingres, produced in seven known versions between 1814 and 1850. It derives from the story of Paolo and Francesca in Dante's Inferno. With Ingres' The Engagement of Raphael, these works represent early examples of the troubador style.