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Several scholars attribute all the poems in the later anthology Kalithokai to one poet, possibly Nallanthuvanār, and believe that they were erroneously assigned to five poets (Pālai to Pālai Pādiya Perunkadunkō, Kurinji to Kapilar, Marutham to Maruthan Ilanākanār, Mullai to Chōlan Nalluruthiran, and Neythal to Nallanthuvanār) due to ...
The poem is an important and rich source of historical information about the ancient Chola kingdom and its capital city. The Pattinappalai mentions the city's music and dance traditions, cock and ram fights, the thriving alcohol and fisheries business, the overseas and domestic trade among the Indian peninsular port cities.
Udayana Kumara Kaviyam is one of the five minor epic poems of Sangham literature. [1] Though the name of the author is unknown, it is considered to be the work of a Jaina nun named Kandiyar. It is a Jaina treatise in 6 cantos with 369 stanzas.
Nakkīraṉãr's poem Tirumurukarruppatai is the most ancient known bhakti genre poem of 312 akaval verses on Murugan (also known as Subrahmanya, Kumara, Skanda, Kartikeya in other parts of India). The Tirumurukarruppatai is held in "very high esteem" in the Murugan tradition as well as the Murugan's father Shiva tradition. [ 6 ]
The Patiṟṟuppattu originally contained ten sections of ten poems, each section dedicated to a decade of rule in ancient Kerala (Cerals, Chera); the first and last sections have been lost. [ 7 ] [ 8 ] Of the surviving poems, the second-to-sixth-decade-related poems are about the three generations of rulers from the Imayavaramban dynasty .
'guide for bards with the large lute') is an ancient Tamil poem in the Pattuppattu anthology of the Sangam literature. [1] It contains 500 lines in the akaval meter. [2] It is one of five arruppatai genre poems and was a guide to other bards seeking a patron for their art.
The poem was dedicated to king Prahattan from north India, and to teach him principles of Tamil poetry. [10] It has significant details about clothing, jewelry, mountain farmers guarding their crops from elephants and other wildlife, weapons chieftains carried, musical instruments, warrior god Murugan, priests making their evening devotions ...
These poems deal with the various aspects of the courtship between the hero and the heroine. The poems are set in various landscapes (Tinai - திணை). [2] Each poem is subdivided and formatted into pattu or tens, a style found in much of Tamil literature such as Tirukkural, Bhakti movement poetry and elsewhere.