Search results
Results from the WOW.Com Content Network
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach 's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.
Upload file; Search. Search. ... Download as PDF; ... move to sidebar hide. The Oboe Concerto in E-flat major is an oboe concerto by Carl Phillip Emanuel Bach ...
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
Upload file; Special pages; Permanent link; Page information; Get shortened URL; Download QR code; Print/export Download as PDF; Printable version ... Oboe Concerto ...
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
The Concerto in A minor for Oboe and Strings was written by Ralph Vaughan Williams in 1943–44 for the oboist Léon Goossens, to whom the score is dedicated. History [ edit ]
The oboe concerto was rediscovered by Bernhard Paumgartner in 1920, who found a handwritten set of parts in the Salzburg Mozarteum archives, and recognized the similarity with the flute concerto in D. [2] [1] Alfred Einstein, editor of the third edition of the Köchel catalogue (1937), noted that both a D major and a C major copy of the K. 314 ...
Platti studied music in Italy (mostly singing, the oboe and the violin). While in Italy, where he stayed until 1722, he probably saw the recently invented fortepiano; a few of his keyboard solo sonatas and concertos might have been composed for it instead of the harpsichord but this point is debatable.