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That is, a song or other vocal or instrumental piece can be in the key of C major or A minor, but a song or some other piece cannot be in the key of B diminished or F augmented (although songs or other pieces might include these triads within the triad progression, typically in a temporary, passing role). Three of these four kinds of triads are ...
A minor triad has a minor third (m3) on the bottom, a major third (M3) on top, and a perfect fifth (P5) between the outer notes. In harmonic analysis and on lead sheets, a C minor chord can be notated as Cm, C−, Cmin, or simply the lowercase "c". A minor triad is represented by the integer notation {0, 3, 7}.
The augmented scale, also known in jazz theory as the symmetrical augmented scale, [3] is so called because it can be thought of as an interlocking combination of two augmented triads an augmented second or minor third apart: C E G ♯ and E ♭ G B. It may also be called the "minor-third half-step scale", owing to the series of intervals ...
US ♭ ii – e.g. D ♭ minor over C 7, resulting in C 7 ♭ 9 ♭ 13; US ♭ iii – e.g. E ♭ minor over C 7, resulting in C 7 ♯ 9 ♯ 11; The second item in the list above (C 7 ♭ 9 ♯ 11) has a related version called upper structure sharp four minor--with the written shorthand US ♯ iv--created with an F ♯ minor triad. (See ...
A major triad has a major third (M3) on the bottom, a minor third (m3) on top, and a perfect fifth (P5) between the outer notes. In harmonic analysis and on lead sheets, a C major chord can be notated as C, CM, CΔ, or Cmaj. A major triad is represented by the integer notation {0, 4, 7}.
Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord
This is a psychophysical sense, where for example "listeners tend to hear a given pitch as, for instance, an A above middle C, an augmented 4th above E ♭, the minor 3rd in an F ♯ minor triad, a dominant in relation to D, or (where the caret designates a scale degree) in G major rather than a mere acoustical frequency, in this case 440 Hz".
The normal form is the smallest "slice of pie" (shaded) or most compact form; in this case, [0 1 1 1 2 T]. This is a list of set classes , by Forte number . [ 1 ] In music theory , a set class (an abbreviation of pitch-class-set class ) is an ascending collection of pitch classes , transposed to begin at zero.