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"Morning Has Broken" is a Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune, "Bunessan". [1] English pop musician and folk singer Cat Stevens included a version on his album Teaser and the Firecat ...
Bunessan is a hymn tune based on a Scottish folk melody, first associated with the Christmas carol "Child in the Manger" [1] and later and more commonly with "Morning Has Broken". It is named after the village of Bunessan in the Ross of Mull .
Play ⓘ Second factor (D), in red, of a C added second chord, C add2. Play ⓘ The 6/9 chord is a pentad with a major triad joined by a sixth and ninth above the root, but no seventh. For example, C 6/9 is C–E–G–A–D. It is not a tense chord requiring resolution, and is considered a substitute for the tonic in jazz.
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
Triads (or any other tertian chords) are built by superimposing every other note of a diatonic scale (e.g., standard major or minor scale). For example, a C major triad uses the notes C–E–G. This spells a triad by skipping over D and F. While the interval from each note to the one above it is a third, the quality of those thirds varies ...
The limitations of the ukulele causes the orchestra to think creatively about how to cover a musical piece, popular tunes are broken down to their constituent parts and then with each musician sticking a distinct part, the combination of different soprano, tenor, baritone and bass registers of ukuleles are used (with separate members playing ...
Dominant seventh chords are often built on the fifth scale degree (or dominant) of a key. For instance, in the C major scale, G is the fifth note of the scale, and the seventh chord built on G is the dominant seventh chord, G 7 (shown above). In this chord, F is a minor seventh above G.
A/C ♯ is an A chord with C ♯ in the bass. Slash chords generally do not indicate a simple inversion (which is usually left to the chord player's discretion anyway), especially considering that the specified bass note may not be part of the chord to play on top.