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The video has over 100 million views, making it Maricarmen's most viewed video and the first video by a Peruvian female singer to achieve that. Some parts of the video are shown as flashbacks in Maricarmen's video for her 2019 hit song La Copita, which is a sequel to ¿Por Qué Te Fuiste?. [6]
La Dinastía de Tuzantla, Michoacán, or simply La Dinastía de Tuzantla, is a regional Mexican band from Tuzantla, Michoacán, Mexico, that was founded in 1987.It specializes in the Tierra Caliente genre, and was created by the Toledo family, who are also members of the group. [1]
The band's repertoire included award-winning songwriter Luis Silva who provided the band's earliest success with "Laura Ya No Vive Aquí", "Borraré Tu Nombre", and "Otra Vez". [4] Grupo Mazz began receiving top honors at the Tejano Music Awards, winning Single of the Year, Best Tejano Album, Male Vocalist of the Year, and Showband of the Year. [4]
The record company released two promotional singles (one English and one Spanish: the title track and the ballad "Por Que Tu Fuiste") to radio stations with intent to appeal to both audiences. [67] The Los Angeles Times wrote that the album was "upbeat and danceable, the lyrics speak almost uniformly of loss, anger, violence and abandonment". [2]
"Te Fuiste" is a song by Spanish singer Enrique Iglesias featuring Puerto Rican rapper Myke Towers. It was released as single from Iglesias' eleventh studio album Final (Vol. 1) . Music video
Salgado was born in Texas, although his family roots are in Barrancos, Chihuahua, Mexico. [1]Salgado gained prominence in the mid-1990s by looking back to the 'norteño' sound influenced by Ramon Ayala, and by subsequently introducing the style to the younger generation.
Luis Segura (born in Mao, Dominican Republic year 1939), is a popular traditional Dominican singer often referred to as 'The Father of Bachata'. [1] [2] He is considered one of the best interpreters of traditional bachata with hits like "Pena por ti", "Dicen", and "No me celes tanto".
"Porque te vas" is a romantic ballad [17] that incorporates elements of funk, disco and pop music, featuring a predominant use of the saxophone. [18] Critic Julián Molero of Lafonoteca described the track's instrumentation as "full of self-confidence with almost mocking interventions of the brasses and the crash of the drums releasing unexpected blows". [19]