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A drawing of twin mountains (Indonesian: pemandangan gunung kembar, "twin mountain view", or pemandangan gunung legendaris, "legendary mountain view") is a drawing pattern commonly made by Indonesian kindergarten and primary school students. The drawing is often produced by students who are asked by their teacher to draw natural features. [1]
The Orang Batin Sembilan, Orang Rimba or Anak Dalam are mobile, animist peoples who live throughout the lowland forests of southeast Sumatra. Kubu is a Malay exonym ascribed to them. In the Malay language, the word Kubu can mean defensive fortification, entrenchment, or a place of refuge.
The Kampung Boy, also known as Lat, the Kampung Boy or simply Kampung Boy, is a graphic novel by Lat about a young boy's experience growing up in rural Perak in the 1950s. The book is an autobiographical account of the artist's life, telling of his adventures in the jungles and tin mines, his circumcision, family, and school life.
Spring Fresco, Minoan painting from Akrotiri, 1600–1500 BCE Zhan Ziqian, Strolling About in Spring, a very early Chinese landscape, c. 600. The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included.
Most dictionaries and definitions of shan shui assume that the term includes all ancient Chinese paintings with mountain and water images. [3] Contemporary Chinese painters, however, feel that only paintings with mountain and water images that follow specific conventions of form, style and function should be called "shan shui painting".
Lee Man Fong (Chinese: 李曼峯; pinyin: Lǐmǐnfēng; Jyutping: lei5 man5 fung1; November 14, 1913 – April 3, 1988) was a painter born in Guangzhou, China.His father, a merchant with ten children, brought him to Singapore.
Wisdom of the East, fresco mural in Jefferson Hall, East-West Center, Honolulu, by Affandi, 1967. Affandi (18 May 1907 – 23 May 1990) was an Indonesian artist. Born in Cirebon, West Java, as the son of R. Koesoema, who was a surveyor at a local sugar factory, Affandi finished his upper secondary school in Jakarta.
Chuah Thean Teng was born in 1914 in Fujian, China; Chuah's father traded sundries while his mother made shoes for women with bound feet.The family emigrated to Penang, Malaysia when Chuah was 14; Chuah returned to Fujian to pursue an education at the Amoy Art School (later the Xiamen Academy of Fine Arts), but returned to Malaya (now Malaysia) at the age of 17. [1]