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Mein Herr Marquis", sometimes called "Adele's Laughing Song", is an aria for soprano with choral accompaniment from act 2 of the operetta Die Fledermaus by Johann Strauss II. It appears in many anthologies of music for soprano singers, and is frequently performed in recitals.
The original literary source for Die Fledermaus was Das Gefängnis (The Prison), a farce by German playwright Julius Roderich Benedix [1] that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, Le Réveillon, loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. [2]
Strauss finished the final act on 26 September 1910. [ 8 ] The first production was slated to be directed by the Dresden Opera's Georg Toller, who had staged the world premiere of Strauss's Elektra , but the creators had subsequently been impressed by the Vienna production of Elektra with sets designed by Alfred Roller (director of the Vienna ...
"The Laughing Song" was number one for ten weeks from April to June 1891, while "The Whistling Coon" was number one for five weeks in July and August 1891. Johnson was the first African American to appear on the pop chart, and his song on the chart was the first to have been written by an African American. [ 7 ]
The title Four Last Songs was provided posthumously by Strauss's friend Ernst Roth, who published the four songs as a single unit in 1950 after Strauss's death. Strauss died in September 1949. The premiere was given at the Royal Albert Hall in London on 22 May 1950 by soprano Kirsten Flagstad and the Philharmonia Orchestra , conducted by ...
Instead he wants to dance to waltzes by father and son Strauss. The lyrics reference three of Strauss's best known compositions, namely An der schönen blauen Donau ("Let the Danube flow along"), Die Fledermaus ("and the Fledermaus") and Wein, Weib und Gesang ("Keep the wine and give me song"). [1]
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Schmutzer's Engraved portrait of Strauss, 1922 " Der Krämerspiegel" ("The Shopkeeper's Mirror"), Op. 66, is a 1918 song cycle of 12 songs written by Richard Strauss.The songs were set to texts commissioned by Strauss in a piqued response to a contractual obligation to produce a set of songs for his publisher. [1]