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This shares all of the same features as the 320, with the exception of scale length. The model 381 is, in reality, a hollow body archtop guitar and is seen as the flagship of the 300 Series in the form of the model 381V69. Its body style is similar to the 330, but with a Gothic carved top and back providing extra depth.
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The 325 was designed by Roger Rossmeisl, a guitar craftsman from a family of German instrument makers. Production models had a 20 + 3 ⁄ 4-inch (530 mm) short scale, dot fretboard inlays, and a small (12 + 3 ⁄ 4-inch-wide [320 mm]) body. The body is unbound, semi-hollow, with an angled sound hole, and boasts "crescent moon"-style cutaways.
The Kaossilator features one hundred programs, which are mostly synthesizer voices and sound effects, including acoustic (guitar, trumpet, piano), percussion, and electronic sounds. The last 10 programs are complete rhythm-patterns, but since percussion sounds are included in the programs, users can develop their own rhythm-patterns by layering ...
Roll slitting is a shearing operation that cuts a large roll of material into narrower rolls. There are two types of slitting: log slitting and rewind slitting . In log slitting the roll of material is treated as a whole (the 'log') and one or more slices are taken from it without an unrolling/re-reeling process.
Often such runs are arranged in the form of an intricate sequential pattern, creating a more complex feel. A lick in guitar playing consists of a short sequence of notes which form a phrase. One famous example of this concept is "The Lick", which is a commonly used jazz phrase based on the minor scale. In shredding, licks become more complex by ...
Later, the two specified a shorter scale and narrower-than-standard neck. Guitarists who had an opportunity to play Gibson samples liked the Byrdland's short scale neck (23 + 1 ⁄ 2 in [60 cm]), which facilitated intricate single-note patterns and unusual stretched chord voicings. The Byrdland then became a regular production instrument.
The scale, at 640 mm, and fretting of the early guitars was very similar to other contemporary guitars (including the Gibson and Martin guitar designs from which most modern acoustic guitar patterns ultimately derive), but with a wide fretboard more typical of a classical guitar; they also had 12 frets clear of the body, although left hand ...