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Pakpak, or Batak Dairi, is an Austronesian language of Sumatra. It is spoken in Dairi Regency , Pakpak Bharat Regency , Parlilitan district in Humbang Hasundutan Regency , Manduamas district in Central Tapanuli Regency , Subulussalam City , and Aceh Singkil Regency .
Batak Karo often alternate between subject-initial and predicate-initial word orders for transitive clauses, although the preference is for Actor Voice clauses to be subject-initial. Predicate-Undergoer-Actor is a common word order when the undergoer is replaced by an interrogative pronoun.
Toba Batak (/ ˈ t oʊ b ə ˈ b æ t ə k / [2]) is an Austronesian language spoken in North Sumatra province in Indonesia. It is part of a group of languages called Batak . There are approximately 1,610,000 Toba Batak speakers, living to the east, west and south of Lake Toba .
Proto-Batak *k became h in initial and medial position in the Southern Batak languages: Proto-Batak *kalak > Toba, Simalungun halak; Karo kalak 'person' Proto-Batak *dukut > Toba, Simalungun duhut; Karo dukut 'grass' Proto-Batak *h was lost in Toba, Angkola and Mandailing: Proto-Batak *pərəh > Toba poro, Simalungun poroh, Karo pereh /pərəh ...
Simalungun, or Batak Simalungun, is an Austronesian language of Sumatra. It is spoken mainly in Simalungun Regency and Pematang Siantar , North Sumatra , Indonesia . Phonology
Malayic Dayak (Dayak Kemelayuan) is a dialect chain of Malayic spoken in West Kalimantan (North Kayong, Ketapang, Kapuas Hulu, Melawi) and the western part of Central Kalimantan (Lamandau, Sukamara, West Kotawaringin, Seruyan, East Kotawaringin).
"Chan Mali Chan" is a folk song popular in Malaysia and Singapore. [1] [2] The song is a light-hearted song that may have its origin in a Malay poem pantun. [3] In Indonesia there are songs that have similar tones such as "Anak Kambing Saya" ("My Lamb" or "My Baby Goat") written by Saridjah Niung. [4] [5] [6] It is commonly sung as a children's ...
Pantun during Malacca era was featured in the most important Malay literary text, the Malay Annals [16] and is regarded as a high art and has been the integral part of classical Malay literature. It also thrived as a natural part in the daily communication of traditional Malay society and served as the important expressive tool in Malay songs ...