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Italian "solfeggio" and English/French "solfège" derive from the names of two of the syllables used: sol and fa.[2] [3]The generic term "solmization", referring to any system of denoting pitches of a musical scale by syllables, including those used in India and Japan as well as solfège, comes from French solmisation, from the Latin solfège syllables sol and mi.
This article is based on interviews with Florence Kopleff, who was a member of the Robert Shaw Chorale throughout its existence and served as administrative assistant to Mr. Shaw; and on recollections of John W. Cooledge, a member of the Atlanta Symphony Orchestra Chorus and Chamber Chorus, and of the Robert Shaw Chamber Singers throughout the existence of that group.
The Choral Arts Society of Washington is a major choral organization based in Washington, D.C. Founded in 1965 by Norman Scribner, it is regarded as one of the premier symphonic choruses in the United States. The Choral Arts Society of Washington consists of three vocal ensembles; the Choral Arts Chorus, the Choral Arts Chamber Singers, and the ...
Robert Lawson Shaw (30 April 1916 – 25 January 1999) was an American conductor most famous for his work with his namesake Chorale, with the Cleveland Orchestra and Chorus, and the Atlanta Symphony Orchestra and Chorus. [1]
In the Maryland suburbs, the 40-voice Maryland Choral Society (formed in 1971) is a community choral group based in Prince George's County, Maryland. [15] In Virginia, the 90-voice teaching choir [ 16 ] Vienna Choral Society (founded in 1986) draws audiences from the DC-metro region, [ 17 ] and the 80-voice Reston Chorale (founded in 1967 ...
One of his singing schools was held in 1774 in Stoughton, Massachusetts. According to Hall, "The school taught by William Billings is the first and only one with all the pupils given." A few members of this singing school later helped organize the Stoughton Musical Society in 1786, now the oldest surviving choral society in the United States.
Under "Doc" Davison, the Glee Club and the Radcliffe Choral Society became the choruses of choice for the Boston Symphony Orchestra and frequently recorded with them. Their recording of La Damnation de Faust won a Grand Prix du Disc, and a recording of the Mozart Requiem in memory of former U.S. President and Harvard graduate John F. Kennedy ...
Part songs were quickly seen as a commercial opportunity by music publishers. From the early 1840s Novello and Co's Musical Times and Singing Class Circular included a simple piece of choral music (alternating secular and sacred) inside every issue, which choral society members subscribed to collectively for the sake of the music. [7]