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The three verses of the song describe in turn, a crowd cheering Jesus Christ's triumphal entry into Jerusalem on Palm Sunday, Jesus's crucifixion on Good Friday, and the eventual "New Jerusalem" (Zion) of universal peace and brotherhood, which is foretold in Isaiah 2:4 [2] and Isaiah 11:6-9. [3]
There are many songs about Jerusalem from various time periods, especially nationalistically-themed songs from the time of the Six-Day War, when East Jerusalem passed from Jordanian control to Israeli. Additionally many Biblical Psalms, styled as songs, were written specifically about Jerusalem. Jewish liturgy and hymns are rife with references ...
Churches in general, and the Church of England in particular, have long used Jerusalem as a metaphor for Heaven, a place of universal love and peace. [a] In the most common interpretation of the poem, Blake asks whether a visit by Jesus briefly created heaven in England, in contrast to the "dark Satanic Mills" of the Industrial Revolution ...
Map of the Templar Trail from France to Jerusalem pioneered by Brandon Wilson on pilgrimage, 2006. The Templar Trail is a pilgrimage path that follows the route used in 1096 by Godfrey of Bouillon, Duke of Lower Lorraine, and his troops during the First Crusade to liberate the city of Jerusalem.
The Holy Land is a concept album, the third gospel album and 30th overall album by country singer Johnny Cash, released on Columbia Records in 1969. He recorded the album inspired by a visit to Israel (the Holy Land of the title) with his wife, June Carter Cash and in fact most of the album consists of on-site recordings made by Cash using a portable tape recorder during a visit describing ...
The Chapel of Simon of Cyrene is a Catholic chapel belonging to the Franciscans in the Old City of Jerusalem. [ 1 ] The place marks the fifth station of Via Dolorosa , and refers to the biblical episode in which Simon of Cyrene takes Jesus' cross, and carries it for him. [ 2 ]
"Next year in Jerusalem", is a phrase that is often sung at the end of the Passover Seder and at the end of the Ne'ila service on Yom Kippur. Its use during Passover was first recorded by Isaac Tyrnau in his 15th century CE book cataloging the accepted tradition ( minhaggim ) of various Ashkenazi communities .
The subject of the song is the Christian gospel told from the perspective of a pilgrim setting foot in the Holy Land. The song's conclusion refers to the crusades themselves, asserting that, in view of the claim of Christians, Jews and "heathens" (Muslims) to the Holy Land, the Christian claim is the just one (Al diu werlt diu strîtet her ...