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"Astronomy Domine" (alternative "Astronomy Dominé" [a]) is a song by the English rock band Pink Floyd. [8] [9] The song, written and composed by the original vocalist/guitarist Syd Barrett, is the opening track on their debut album, The Piper at the Gates of Dawn (1967). [8]
Piano duet (four hands) – an engraved copy of Holst's own piano duet arrangement was found by John York. [1] Two pianos (duo) – Holst had originally sketched the work for two pianos, due to a need to compensate for the neuritis in his right arm. His two friends, Nora Day and Vally Lasker, had agreed to play the two-piano arrangement for him ...
The Planets, Op. 32, is a seven-movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1917.In the last movement the orchestra is joined by a wordless female chorus.
Their second single "When I Woke Up This Morning" became an East Coast Doo-wop hit in 1957 and was released “Really Love Her So” on the B-side and sold over 75,000 copies. They would be invited back for a second performance at the Apollo, this time performing alongside Fats Domino and Little Richard .
Jerry King (born 1956) is a Wisconsin-based composer and multi-instrumentalist primarily known for his guitar and bass work with progressive rock band Cloud Over Jupiter, which he founded. He also co-founded Moon Men and Moon X with Dave Newhouse of the American band The Muffins; they both continue to record together as Moon X, with Dave’s ...
Prehistoric life on Jupiter in A Journey in Other Worlds. Jupiter was long believed, incorrectly, to be a solid planet onto which it would be possible to make a landing. [1] [2] It has made appearances in fiction since at least the 1752 novel Micromégas by Voltaire, wherein an alien from Sirius and another from Saturn pass Jupiter's satellites and land on the planet itself.
Mars and Jupiter are cozying up in the night sky for their closest rendezvous this decade. In reality, our solar system’s biggest planet and its dimmer, reddish neighbor will be more than 350 ...
The poem circulated privately for a few years until it was set to music by Holst, to a tune he adapted from his Jupiter to fit the poem's words. It was performed as a unison song with orchestra in the early 1920s, and it was finally published as a hymn in 1925/6 in the Songs of Praise hymnal (no. 188).
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