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An Arriflex 16SR camera 16 mm camera. The Arriflex 16SR is a motion picture camera product line created by Arri, introduced in 1975.This 16SR camera series is designed for 16 mm filmmaking in Standard 16 format.
200 mm f / 4.0: Completely reworked from the old FD lens, this new lens was the smallest and lightest FD 200 mm lens by a substantial margin. [7] Like the newer version of the 200 mm f / 2.8, the f / 4 is a rear-focusing design that does not extend or retract during focusing. A built-in lens hood was a permanent fixture on the end of the lens ...
The Canon FD 135mm f/3.5 S.C. (I) lens. Several different models of Canon FD 135 mm lenses were produced by Canon Inc. for the Canon FD lens mount.Two were produced in the original "Old FD" style with a silver locking ring for the breech lock mount at the base, while three models were produced as "New FD" lenses where the entire lens barrel rotated to lock the lens in place.
The Canon PowerShot Pro1 is the first in the Canon PowerShot family of point-and-shoot cameras to have an L-designated zoom lens ranging from 7.2 to 50.8 mm, equal to 28 to 200 mm in 35mm equivalent focal length. Its maximum aperture changes from f / 2.4 to f / 3.5, with focus driven by an ultrasonic motor.
The Arriflex 35BL was the first silent 35mm camera (BL stands for blimped). [citation needed] It uses a fixed butterfly reflex shutter, which gave the cinematographer an exact representation of the recorded frame. It recorded up to 100 frames per second, which was revolutionary in documenting sporting events. It uses a dual registration pin system.
The Canon EF-M lens mount, introduced in 2012, is a derivative of the Canon EF lens mount designed for use with the Canon EOS M mirrorless interchangeable-lens camera. The EF-M lens mount is one of Canon's two systems for mirrorless cameras, the other being the RF mount .
They began breaking new ground around 1960: the Nippon Kogaku Auto-Nikkor 8.5–25 cm f/4-4.5 (1959), for the Nikon F, was the first telephoto zoom lens for 35mm still cameras (and second zoom after the Zoomar), [141] the Canon 50mm f/0.95 (1961), for the Canon 7 35mm RF, with its superwide aperture, was the first Japanese lens a photographer ...
A variation on the Luneburg lens antenna is the hemispherical Luneburg lens antenna or Luneburg reflector antenna. This uses just one hemisphere of a Luneburg lens, with the cut surface of the sphere resting on a reflecting metal ground plane. The arrangement halves the weight of the lens, and the ground plane provides a convenient means of ...