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Đông Hồ painting depicts Phù Đổng Thiên Vương Statue of little Thánh Gióng at Phù Đổng Six-Way Intersection, Ho Chi Minh City. Thánh Gióng (chữ Nôm: 聖揀), [1] also known as Phù Đổng Thiên Vương (chữ Hán: 扶董天王, Heavenly Prince of Phù Đổng), Sóc Thiên Vương (chữ Hán: 朔天王), Ông Gióng (翁揀, sir Gióng) [2] [3] and Xung Thiên Thần ...
Gióng Festival (Vietnamese: Hội Gióng) is a traditional festival which is celebrated annually in many parts of Hanoi to honour the mythical hero, Thánh Gióng, who is credited with defending the country against foreign enemies. The festival was listed on the UNESCO List of the Intangible Cultural Heritage. [1] [2]
Sơn Tinh – Thủy Tinh (The Mountain God vs.The Lord of the Waters) is a Vietnamese myth.It explains the practice of tidal irrigation and devastating floods in Vietnam as a result of monsoon—a seasonal prevailing wind in the region of South and Southeast Asia, blowing from the southwest between May and September and bringing rain (the wet monsoon), or from the northeast between October ...
The Đại Việt sử ký toàn thư (chữ Hán: 大越史記全書; Vietnamese: [ɗâːjˀ vìət ʂɨ᷉ kǐ twâːn tʰɨ]; Complete Annals of Great Việt) is the official national chronicle of the Đại Việt, that was originally compiled by the royal historian Ngô Sĩ Liên under the order of the Emperor Lê Thánh Tông and was finished in 1479 during the Lê period.
南 Nam 國 quốc 山 sơn 河 hà 南 Nam 帝 đế 居 cư, 南 國 山 河 南 帝 居 Nam quốc sơn hà Nam đế cư, The Southern Country's mountains and rivers, the Southern Emperor inhabits. 皇 Hoàng 天 thiên 已 dĩ 定 định 在 tại 天 thiên 書 thư. 皇 天 已 定 在 天 書 Hoàng thiên dĩ định tại thiên thư. The August Heaven hath willed it so in the ...
Tản Viên Sơn Thánh (Chữ Hán: 傘圓山聖, 304 BCE - ?), or Sơn Tinh (山精) is one of The Four Immortals in traditional Vietnamese mythology. He is the god of Ba Vì mountain range [ 2 ] and figures also in the romance of Sơn Tinh - Thủy Tinh ("the God of the Mountain and the God of the Water").
[2] Even these Gods were divided in three ranks High ranking gods: famous mountain and river gods, immortals such as Thánh Gióng , Chử Đồng Tử whose backgrounds are mysterious and miraculous, and unusually brilliant men such as Lý Thường Kiệt and Trần Hưng Đạo .
By this film, director Ngô Mạnh Lân was called Sir "Gióng" Lân. [3] The film was produced at the time of Vietnamization when USAF attacked North Vietnam. Vietnam Animation Studio's staff had evacuated in Vĩnh Phú province (now Phú Thọ province). They made the film at the night with oil lamp's light. [4] Style : Puppet animation