Search results
Results from the WOW.Com Content Network
A submissive man worshipping a woman's foot, from Dresseuses d'Hommes (1931). Foot fetishism has been defined as a pronounced sexual interest in feet. For a foot fetishist, points of attraction may include the shape and size of feet, feet soles, toes, jewelry (e.g., toe rings, anklets, etc.), treatments (such as massaging, washing partner's feet or painting partner's toenails), state of dress ...
Foot whipping, falanga/falaka or bastinado is a method of inflicting pain and humiliation by administering a beating on the soles of a person's bare feet. Unlike most types of flogging , it is meant more to be painful than to cause actual injury to the victim.
Foot binding (simplified Chinese: 缠足; traditional Chinese: 纏足; pinyin: chánzú), or footbinding, was the Chinese custom of breaking and tightly binding the feet of young girls to change their shape and size. Feet altered by foot binding were known as lotus feet and the shoes made for them were known as lotus shoes. In late imperial ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
Examples of computer clip art, from Openclipart. Clip art (also clipart, clip-art) is a type of graphic art. Pieces are pre-made images used to illustrate any medium. Today, clip art is used extensively and comes in many forms, both electronic and printed. However, most clip art today is created, distributed, and used in a digital form.
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
Individuals with shoe fetishism can be erotically interested in women's and/or men's shoes. [3] [4] Almost any type of shoe can be fetishized, depending on the sexual connotation associated with the wearer, for example an entire area of gay subculture is devoted towards the fetishization of sneakers and other forms of athletic footwear.
"Diamonds on the Soles of Her Shoes" is a song by the American singer-songwriter Paul Simon. It was the fourth single from his seventh studio album, Graceland (1986), released on Warner Bros. Records. The song features guest vocals from the South African male choral group Ladysmith Black Mambazo.