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The song's title is borrowed from a hymn that was popular in the nineteenth century American South with fasola singers. “Gethsemane”, written by English clergyman Thomas Haweis in 1792, begins with the lines “Dark was the night, cold was the ground / on which my Lord was laid.” [3] Music historian Mark Humphrey describes Johnson's composition as an impressionistic rendition of ...
His fifth recorded song, Dark Was the Night, Cold Was the Ground, the B-side of Johnson's second release, best exemplifies his slide guitar playing in open D tuning. For the session, Johnson substituted a knife or penknife for the bottleneck and, according to Harris, he played with a thumb pick. [14]
"Dark Was the Night, Cold Was the Ground" (December 3, 1927, Dallas, Texas; Columbia 14303-D)
"It's Nobody's Fault but Mine" was one of the first songs recorded by Johnson for Columbia Records.The session took place in Dallas, Texas, on December 3, 1927. [3] Columbia released it as his second single on the then-standard 78 rpm record format, with "Dark Was the Night, Cold Was the Ground" as the second side. [5]
The depth of feeling in “Dark Was the Night, Cold Was the Ground” is truly unbelievable. Channeled from beyond time and space through this humble, blind bluesman—and here we are, the ...
[2] [3] The success of the audio restoration of "Dark Was the Night, Cold Was the Ground" inspired the filmmakers to source the best surviving masters of their favorite Johnson performances and reissue them on an album. [4] [5] [6]
Dark Was the Night, Cold Was the Ground", a 1927 song by Blind Willie Johnson Topics referred to by the same term This disambiguation page lists articles associated with the title Dark Was the Night .
"Dark Was the Night, Cold Was the Ground", an instrumental that showcases Johnson's slide guitar playing, is reported to have been the inspiration for Ry Cooder's soundtrack for the 1984 Wim Wenders film Paris, Texas. [2]