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This template is to help users write non-free use rationales for various kinds of posters as required by Non-free content and Non-free use rationale guideline. Include this in the file page, once for each time you insert an image of the poster art into an article. Please use copyrighted content responsibly and in accordance with Wikipedia policy.
This template must be placed in the Licensing section of non-free posters to identify them as such. Note: Posters with US copyrights before 1964 are mostly in the public domain due to failure to formally renew the copyright on the poster. In this case the template {{PD-art|PD-US-not renewed}} should be used instead of this template.
The New York Times noted that it was the fourth quality collaboration between director Vittorio De Sica and Sophia Loren, and the second to include Marcello Mastroianni in the mix, with the "warmup" for this movie having been 1963's Yesterday, Today and Tomorrow. The review described it as a "wonderfully flamboyant" film, and provided some ...
This image is of a film poster, and the copyright for it is most likely owned by either the publisher or the creator of the work depicted. It is believed that the use of scaled-down, low-resolution images of film posters to provide critical commentary on the film in question or of the film poster itself, not solely for illustration
The Queer Women of Color Media Arts Project (QWOCMAP) is a non-profit organization based in San Francisco. [1] It aims to promote the creation, exhibition, and distribution of films that address social justice issues of concern to “address the vital social justice issues that concern LGBT women of color and [their] communities, authentically reflect their life stories, and build community ...
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Matrimony's Speed Limit is a 1913 silent short film produced and directed by pioneering female film maker Alice Guy-Blaché. It was produced by Solax Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey , at the beginning of the 20th century.
The story is told through a series of letters written by the heroine Olivia Fairfield to her former governess, Mrs. Milbanke, in Jamaica. Olivia is the mixed-race illegitimate daughter of an English plantation-owner, Mr. Fairfield, and his slave Marcia, who died in childbirth.
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