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Horror noir (sometimes referred to as noir horror or hyphenated as horror-noir; lit. ' black horror ' ) is a film subgenre that blends elements of both horror and noir . It combines the dark, atmospheric qualities of noir with the suspense and fear typical of horror, creating a hybrid genre that integrates aspects of both.
The Brink's Job: William Friedkin 1978 United States [56] Buster and Billie: Daniel Petrie: 1974 United States [8] Capricorn One: Peter Hyams: 1977 United States [56] Le Cercle Rouge: Jean-Pierre Melville 1970 France/Italy [57] The Champ: Franco Zeffirelli: 1979 United States [56] Chandler: Paul Magwood 1971 United States [8] Charley Varrick ...
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
The film's title is derived from Dashiell Hammett's novel Red Harvest (1929), in which the Continental Op muses: “This damned burg's getting me. If I don't get away soon I'll be going blood-simple like the natives.” [4] [5] Stylistically, the film has been noted for its blending elements of neo-noir, pulp crime stories and low-budget horror ...
Lost Highway is a 1997 neo-noir [2] [3] film directed by David Lynch, who co-wrote the screenplay with Barry Gifford. It stars Bill Pullman , Patricia Arquette , and Balthazar Getty . The film also features Robert Blake , Jack Nance , and Richard Pryor in their final film performances.
Under the Silver Lake is a 2018 American surrealist neo-noir black comedy thriller film written, produced and directed by David Robert Mitchell.Set in 2011 Los Angeles, it follows a young man (Andrew Garfield) investigating the sudden disappearance of his neighbor (Riley Keough), only to stumble upon an elusive and dangerous conspiracy.
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