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Coward spelled his first name with the diæresis ("I didn't put the dots over the 'e' in Noël. The language did. Otherwise it's not Noël but Nool!"). [150] The press and many book publishers failed to follow suit, and his name was printed as 'Noel' in The Times, The Observer and other contemporary newspapers and books. [n 12]
Screenplay by Coward. We Were Dancing, directed by Robert Z. Leonard, Metro-Goldwyn-Mayer (1942, based on the plays We Were Dancing, Ways and Means and Private Lives) This Happy Breed, directed by David Lean, Universal (UK, 1944, based on the play of the same name) (Coward was also a producer)
Present Laughter was first produced in Blackpool on 20 September 1942, [11] Coward directed and the sets and costumes were designed by Gladys Calthrop. [12] The repertory of the tour also consisted of This Happy Breed and Blithe Spirit; the three were advertised collectively as "Noel Coward in his Play Parade". [13]
The competition is unique in that the Grand Prize-winning screenwriter will have their screenplay developed, financed […] ‘The Night’ Producer Mammoth Pictures Launches Screenplay ...
Design for Living is a 1933 American pre-Code romantic comedy film directed by Ernst Lubitsch from a screenplay by Ben Hecht, based on the 1932 play of the same name by Noël Coward. Starring Fredric March , Gary Cooper , and Miriam Hopkins , the film is about a woman who cannot decide between two men who love her, and the trio agree to try ...
Playbill for original production. Cavalcade is a play by Noël Coward with songs by Coward and others. It focuses on three decades in the life of the Marryots, an upper-middle-class British family, and their servants, beginning in 1900 and ending in 1930, a year before the premiere.
Elsewhere in the competition, Vanessa Magic won the Slamdance screenplay mentorship award in recognition of her series pilot script “I Want To Be Evil,” about a woman working a data entry job ...
The two lead roles were cast with "wild disregard for suitability," according to Brian McFarlane, who has described the film as "a total disaster." [2] Originally intended to have a television screening in the United States followed by a cinema release in the rest of the world, its poor reception in New York led to the international plans being abandoned.