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In 1928, Le Corbusier and Perriand began to put the expectations for furniture Le Corbusier outlined in his 1925 book L'Art Décoratif d'aujourd'hui into practice. In the book he defined three different furniture types: type-needs, type-furniture, and human-limb objects.
Chaise longue à réglage continu, also Chaise longue modèle B 306 à réglage continu or Chaise longue B 306 (later Chaise Longue - LC4, in 1964), is a chaise longue designed by Le Corbusier, Pierre Jeanneret, and the French designer Charlotte Perriand, who worked in the atelier of the Swiss-French architect Le Corbusier and his partner Pierre Jeanneret.
A chaise longue sofa An 18th-century rococo chaise longue A late 19th-century chaise longue. A chaise longue (/ ʃ eɪ z ˈ l ɒ ŋ, tʃ eɪ z-,-ˈ l ɒ̃ ɡ /; [1] French: [ʃɛz lɔ̃ɡ], "long chair") is an upholstered sofa in the shape of a chair that is long enough to support the legs of the sitter.
The legs were more curved, the top of the back was rounded, and often had a small ornamental design. The back of the chair took on a more graceful violin form. This form became known as the Chaise à la Reine, or "Chair of the Queen." [11] A variety of other new forms appeared, designed especially for comfort.
Burgomaster's chair (ca. 1750) The origin of the corner chair can be traced to six- or eight-leg chairs of Chinese palaces with marble seats, sometimes rotating. The Chinese chairs inspired the Dutch (and English) [3] designs in William and Mary and Queen Anne styles in the 17th and 18th centuries, these adaptations are called burgomaster chairs, as they were used as chairs of office in ...
Klismoi are familiar from depictions of ancient furniture on painted pottery and in bas-reliefs from the mid-fifth century BCE onwards. In epic, klismos signifies an armchair, but no specific description is given of its form; in Iliad xxiv, after Priam's appeal, Achilles rises from his thronos, raises the elder man to his feet, goes out to prepare Hector's body for decent funeral and returns ...
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