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The film, also known as Enemy Agent, was released in the United States in January 1940. [N 1] The Warner Bros. B picture was based on a 1918 play Three Faces East written by Anthony Paul Kelly and produced on the stage by George M. Cohan. [2] Two film adaptations of Three Faces East in 1926 and 1930 preceded British Intelligence. [3]
The spy film, also known as the spy thriller, is a genre of film that deals with the subject of fictional espionage, either in a realistic way (such as the adaptations of John le Carré) or as a basis for fantasy (such as many James Bond films).
In his review for the Chicago Sun-Times, Jim Emerson wrote, "If you think George Tenet's Central Intelligence Agency was a disaster, wait until you see Robert De Niro's torpid, ineffectual movie about the history of the agency". [24]
Pages in category "1940s spy films" ... British Intelligence (film) C. Cloak and Dagger (1946 film) Contraband (1940 film) Cottage to Let; D. Dick Barton Strikes Back;
Night Train to Munich is a 1940 British thriller film directed by Carol Reed and starring Margaret Lockwood and Rex Harrison.Written by Sidney Gilliat and Frank Launder, based on the 1939 short story “Report on a Fugitive” by Gordon Wellesley.
Holidaymaker rescues French children, 1940 Italy A Pilot Returns: Un pilota ritorna: Roberto Rossellini: Greco-Italian War: United States Private Buckaroo: Edward F. Cline: Musical. [3] Nazi Germany The Red Terror: GPU: Karl Ritter: GPU's plots in Rotterdam are foiled by the German occupation: United States Reunion in France: Jules Dassin
Northwest Passage (1940) – Western film telling a partly fictionalized version of the real-life St. Francis Raid by Rogers' Rangers, led by Robert Rogers [24] Parole Fixer (1940) – action drama crime film based on the 1938 book called Persons in Hiding, an exposé of corruption within the American parole system [25]
Undercover was Ford's only sound film acting role, [1] [2] and was the first film ever produced by an intelligence service to train its agents. The film, which is in the public domain , is now widely available online since it was declassified after the war, and it often goes unmentioned in Ford filmographies.
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