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  2. Transitional porcelain - Wikipedia

    en.wikipedia.org/wiki/Transitional_porcelain

    Transitional porcelain is Jingdezhen porcelain, manufactured at China's principle ceramic production area, in the years during and after the transition from Ming to Qing. As with several previous changes of dynasty in China, this was a protracted and painful period of civil war.

  3. Chinese export porcelain - Wikipedia

    en.wikipedia.org/wiki/Chinese_export_porcelain

    Under the Kangxi Emperor's reign (1662–1722) the Chinese porcelain industry, now largely concentrated at Jingdezhen was reorganised and the export trade soon flourished again. Chinese export porcelain from the late 17th century included blue-and-white and famille verte wares (and occasionally famille noire and famille jaune). Wares included ...

  4. Chinese ceramics - Wikipedia

    en.wikipedia.org/wiki/Chinese_ceramics

    A fashion for Kangxi period (1661 to 1722) blue and white wares grew to large proportions in Europe during the later years of the 19th century and triggered the production at Jingdezhen of large quantities of porcelain wares that strike a resemblance to ceramics of earlier periods.

  5. Jingdezhen porcelain - Wikipedia

    en.wikipedia.org/wiki/Jingdezhen_porcelain

    Cup in the imperial yellow, Kangxi emperor (1662–1722) A wide variety of wares were produced for the court, with blue and white (initially ignored by the court but acceptable by 1402) accompanied by red and white wares using a copper-based underglaze red. This was sometimes combined with the cobalt blue in blue and red pieces. [20]

  6. Famille jaune, noire, rose, verte - Wikipedia

    en.wikipedia.org/wiki/Famille_jaune,_noire,_rose...

    Famille verte (康熙五彩, Kangxi wucai, also 素三彩, Susancai), adopted in the Kangxi period around 1680, uses green in a few different shades and iron red with other overglaze colours. It developed from the wucai (五彩, "five colours") style, which combines underglaze cobalt blue with a few overglaze colours.

  7. Blue and white pottery - Wikipedia

    en.wikipedia.org/wiki/Blue_and_white_pottery

    Blue and white ware did not accord with Chinese taste at that time, the early Ming work Gegu Yaolun (格古要論) in fact described blue as well as multi-coloured wares as "exceedingly vulgar". [16] Blue and white porcelain however came back to prominence in the 15th century with the Xuande Emperor, and again developed from that time on. [14]

  8. Dehua porcelain - Wikipedia

    en.wikipedia.org/wiki/Dehua_Porcelain

    Dehua porcelain ink brush holder, with design of carved cranes and lotuses worked into the paste. Late 17th–18th century (Qing dynasty), 9.7 cm (3.8 in) tallDehua porcelain (Chinese: 德化陶瓷; pinyin: Déhuà Táocí; Pe̍h-ōe-jī: Tek-hòe hûi), more traditionally known in the West as Blanc de Chine (French for "White from China"), is a type of white Chinese porcelain, made at Dehua ...

  9. Wucai - Wikipedia

    en.wikipedia.org/wiki/Wucai

    Wucai (五彩, "Five colours", "Wuts'ai" in Wade-Giles) is a style of decorating white Chinese porcelain in a limited range of colours. It normally uses underglaze cobalt blue for the design outline and some parts of the images, and overglaze enamels in red, green, and yellow for the rest of the designs.